Bibio and Adult. for XLR8R

I reviewed two new records for XLR8R. Bibio’s new LP is the closest he’s come to fully embracing AM pop, while Adult. are back after six years with their most accessible record ever. 

Bibio - Silver Wilkinson 

Adult. - The Way Things Fall

Autre Ne Veut On Anxiety, The Downtown Music Festival, & His Fans

I interviewed Autre Ne Veut (a.k.a. Arther Ashin) for Refinery29. He talked about his recent European tour, his new record, and David Lynch. 

On fans: 

“Fandom is so disjointed from any human process. It’s as if they’re opening their journal and letting me read from it. It’s cool; it’s neat to have anything one does [recieved like that]. It’s my private space. The music was conceived in this very closed environment. It was an intimate group [who recorded the record]. To send that out into the ether and have people consume it privately, and then for us to have this conversation, it’s almost like having a conversation about masturbatory practice or something [laughs].” 

Songs To Listen To At Work (Refinery29)

James Bridle Takes Us “Under the Shadow of the Drone”

Another one for The Creators Project, this one about technologist James Bridle’s new drone installations for the Brighton Festival. Bridle runs the excellent Tumblr The New Aesthetic, that documents the eerie, often hard-to-define relationship humans and machines have in the 21st century. He’s also a writer, lecturer, and all around super smart guy. 

He had this to say about drones, which seems really true, scary, and important to me:  

“You hear about some of the places these strikes are occurring, but you don’t necessarily see them. And that’s kind of odd in this day and age. Ever since the advent of mass media, we tend to be filled with images of battlefields themselves. We have maps, and reports, and journalists on the ground. The wars that drones enable don’t take place like that. We don’t see them. It was an attempt to render the battlefields visible, to point out that these are real locations where people lie. To try to give some sort of imagery to that discussion.”

Read the whole thing here

And here’s a picture of his exhibition: 

image

Neat.

I talked to the folks a Obscura Digital about their amazing new analog display at San Francisco’s Pier 15 Exploratorium for The Creators Project

It was this weird place where they made muzak songs of popular hits. It was really atrocious. I think it was the last day that I could actually take working there — they had wanted to do this classical version of a Nickelback song called ‘Nickebach.’ That was literally the name of the project. I was like, ‘I can’t do this; it’s just ridiculous.’ 

It was this weird place where they made muzak songs of popular hits. It was really atrocious. I think it was the last day that I could actually take working there — they had wanted to do this classical version of a Nickelback song called ‘Nickebach.’ That was literally the name of the project. I was like, ‘I can’t do this; it’s just ridiculous.’ 

Weighing three tons, and comprised of 50 bronze bells, a carillon is just about the last thing you’d ever associate with a club DJ. Hendrik Weber, who records music under the name Pantha du Prince (among others) sees things differently.

Weighing three tons, and comprised of 50 bronze bells, a carillon is just about the last thing you’d ever associate with a club DJ. Hendrik Weber, who records music under the name Pantha du Prince (among others) sees things differently.

Bubblin' Up: Mister Lies

I wrote a little bit about Chicago producer Mister Lies for XLR8R’s Bubblin’ Up week. 

I talked to A$AP Rocky about his new album for Refinery29. Topics of conversation include Skrillex, Ann Demeulemeester, weed, and Earl Sweatshirt. 

I talked to A$AP Rocky about his new album for Refinery29. Topics of conversation include Skrillex, Ann Demeulemeester, weed, and Earl Sweatshirt. 

David Bowie Can Trace Time

A piece about David Bowie’s new track for Salon.